Our bare bodies, anonymous yet vulnerable, covered with imperfections typically prohibited in advertising, serve as apprehensive protagonists personifying the concerns of a people caught between the acceptance of the gifts from another culture and distant for its members bearing them. The meat, both a crude source of sustenance and uncensored gratification, is rewarded a large welcome conveyed by its obscene scale and refers to the overwhelming presence of a foreign culture.

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Three billboards at the Prater/Fluc, Vienna, Austria, 2016